Author(s)

Wei Bo

Corresponding Author

Wei Bo

Abstract

Chinese calligraphy is an ancient traditional art, which embodies the transcendent spirit of "Taoism, nature" and "harmony between man and nature" between black and white. With the embellishment of bright red seals, the deep Zen space is formed, which embodies Zhuangzi's aesthetic thought of "simplicity and beauty cannot be contended with in the world". The minimalist design style advocates the removal of the non-essential elements of the design object. In the purest style, restoring its most basic and original state is also an aesthetic idea. This paper studies the application of the aesthetic elements of Chinese calligraphy in minimalist design.

Keywords

Chinese Calligraphy, Minimalism, Design, Aesthetics