Modeling Schema and Aesthetic Culture of Tibetan Decoration Art
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Yuan Guangfu, Liu Kangyang
The extensive and profound Tibetan decorative art has its unique modeling schema. The stylized, symbolic and symbolic modeling schema has formed a distinctive Tibetan local decorative art style, which contains a lot of cultural communication information. The modeling style of Tibetan decorative art is the materialization of the Tibetan national concept. It combines the aesthetic perception with the aesthetic form, and has both religious and secular cultural characteristics. Interpreting the modeling and aesthetic culture of Tibetan decorative art will bring many valuable inspirations to contemporary art design.
Tibetan decorative art, Plastic schema, Religion, Aesthetics, Cultural connotation, Design