Author(s)

Yidan Qin

Corresponding Author

Yidan Qin

Abstract

This article focuses on the narrative of women's identity in East Asia, taking it as the object of spatial expression, and explores the practical ways of constructing immersive artistic experience with new media images and interactive devices. Based on interdisciplinary creative practice, the study transforms women's memory, depression and looseness of subjectivity under social discipline into perceptual spatial structure. Through the integration of modeling, rendering, visual design and basic interaction technology, the transformation from text narration to personal participation is achieved. The work uses nonlinear moving lines to organize the progression of emotions, and with the help of projection, material and sensor feedback, it creates the triple fields of depression, struggle and release, so that the audience can trigger the perceptual cognition of gender experience in the process of body movement. Research shows that space, as a narrative medium, can bear unspeakable private experiences to a certain extent, and the interactive mechanism with low technical threshold can also convey meaning under limited conditions.

Keywords

East Asian Women; Identity Narration; Spatial Expression; Interactive Device; New Media Image