Research on the Integration, Development and Dissemination of Chinese Painting and Cantonese Embroidery under the “One Belt One Road”
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DOI: 10.25236/soshu.2022.014
Corresponding Author
Wenxing Yu
Abstract
As a kind of traditional Chinese handicraft Intangible cultural heritage, Cantonese embroidery contains rich national cultural traditions and Is a typical representative of Chinese national culture. In the ancient “Maritime Silk Road” trade, Cantonese embroidery has always been sold overseas as an Important commodity, and has had a profound Impact on the cultures of Europe, America and Southeast Asia. The birth and development of Cantonese embroidery are Inextricably linked with Chinese painting. In the context of the joint construction of the “Belt and Road”, this article analyzes the origin and dissemination of Cantonese embroidery, explores the Integration cases of Cantonese embroidery and Chinese painting, analyzes the process and results of the Integration of embroidery and painting, and finds out the development mode and development mode of the Integration of embroidery and painting. The methods and methods of external communication show the charm of Chinese culture, and then seek extensive International recognition at the cultural level.
Keywords
One belt one road, Cantonese embroidery, Chinese painting, Fusion, Dissemination