Author(s)

Chongrong Luo

Corresponding Author

Chongrong Luo

Abstract

The basic article introduces the Indian Buddhist art, the process of extreme transformation. Based on the ancient Indian national cultural traditions, national aesthetics and philosophical views, and on the premise of the spatial expression of Buddhist murals, the spatial processing of the picture and the spatial expression of the formal language are analyzed and compared, and the national culture, philosophical concept and nationality are obtained The internal promotion of aesthetics in the evolution of Indian Buddhist murals

Keywords

Indian buddhist, Mural style, Spatial expression method