On the Abstract Beauty in Zhu Da's Painting Works of Birds and Flowers by Means of Vigorous Freehand Brushwork
		
			
 Download as PDF
		
		DOI: 10.25236/ADMC.2019.054
		
			Author(s)
			Ma Xianghe, Ma Rui
		 
		
			
Corresponding Author
			Ma Xianghe		
		
			
Abstract
			After long-term development, freehand flower and bird painting has developed a unique way of expressing emotions. As a representative figure of the famous freehand flower and bird paintings in the late Ming and early Qing dynasties, Zhu Da created his own unique emotional expression on the basis of inheriting the freehand style of ink painting in the Ming Dynasty. As a representative figure of the famous freehand flower and bird paintings in the late Ming and early Qing dynasties, Zhu Da created his own unique emotional expression on the basis of inheriting the freehand style of ink painting in the Ming Dynasty. Further analysis of Zhu Da's freehand flower and bird paintings can be found that the images of flowers, birds and fish worms in his paintings are mostly “white eyes to people”. The abstract meaning is full. In this regard, this paper is based on the expression of abstract beauty in Zhu Da's freehand flower and bird painting, deeply analyzes the expression of abstract emotion.		
		
			
Keywords
			Zhu Da; Freehand flower and bird painting; Abstract beauty; Value