Analysis of Rachmaninoff's Rwenty-four Piano Preludes and Research on Language Characteristics of Music
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DOI: 10.25236/CLLA.2019.093
Corresponding Author
Hang Xu
Abstract
Based on Russian masters of music of the romantic period, Rachmaninoff's 24 preludes representative works as the research object, from the aspects of style and music language, from the whole to the local music background of the 24 preludes to analysis and research, better artistic and technical point of view, interpret the music style of Rachmaninoff, in order to let the players to play the music have a more profound understanding, appropriate performance works contains more meaningful.
Keywords
Rachmaninoff; Prelude; Music language