Research on the Application of Zero Equivalence Translation Theory in the Creative Industry Practice of Ceramic Culture from the Perspective of Globalization
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DOI: 10.25236/humal.2017.40
Corresponding Author
Jing Lin
Abstract
In the context of globalization, ceramic art as a traditional Chinese culture gradually out of the country, and in the international arena cut a striking figure, but the current translation of ceramic culture in the initial stage, the basis of weak, uneven translation levels, research fragmentation. Ceramic culture English translation is lagging and a series of factors affecting the ceramic culture industry internationalization. Under the background of the intensification of cultural globalization, the English translation of ceramic culture has broad prospects for development in disciplinary construction, practical application and academic research.
Keywords
Zero Equivalence; Ceramics; Globalization; Cultural and Creative Industries