Author(s)

Yuan Li

Corresponding Author

Yuan Li

Abstract

Environmental art design shoulders an important historical responsibility and mission in this era where urban and rural construction is in its full swing. However, what contradict with this ideal state of development are various phenomena that result in spiritual confusion in real places. One of the important reasons is the over expression of aesthetic forms and redundant design reflected in expression. This paper analyzes and elaborates on this practical problem from a theatrical perspective and discriminates the positioning of the aesthetic form supported by the traditional aesthetic appreciation approach in the development of sustainable ecological environment.

Keywords

Aesthetic form, Sustainability, Environment, Restriction