Aesthetic Orientation of Contemporary Mogu Flower-bird Painting
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DOI: 10.25236/ssah.2018.146
Corresponding Author
Hao Xiaofei
Abstract
Our country's flower-bird paintings have a long history, profound foundation and deep aesthetic connotations. The mogu flower-bird painting is an important component of traditional Chinese painting, and its unique artistic creation forms a rich aesthetic feature. As a traditional form of painting, mogu flower-bird painting not only inherits and develops traditional painting techniques, but also has a clear sense of the times in the aesthetic orientation.
Keywords
Flower-bird painting, aesthetic, change.