Author(s)

Tian Xiaoxin

Corresponding Author

Tian Xiaoxin

Abstract

The long history and culture nurtured the brilliant Chinese civilization, and at the same time, it also nurtured many distinct and unique oriental art forms. Chinese classical dance is one of the artistic forms formed by absorbing the nutrition of oriental traditional culture. As a form of cultural dialogue, intercultural communication constitutes the basic norm of human life. In the perspective of globalization, the subjectivity of Chinese classical dance has become the object of world examination. Based on the interpretation of the concept of Chinese classical dance and the study on the subjectivity of Chinese classical dance in cross-cultural communication, this paper analyses the expansion and application of Chinese classical dance in cross-cultural communication. The main purpose of this paper is to analyze the common understanding of the body performance of Eastern and Western classical dance, and then to explore and discover the body of cross-cultural communication, the wholeness, pluralism, interaction and openness of current world culture, which are conducive to achieving the goal of mutual recognition, seeking common ground while reserving differences, “finding beauty of themselves and achieving mutual appreciation and praise”.

Keywords

Classical dance; Cross-cultural communication; Subjectivity; Performance